Monthly Archives: September 2009

Film Still self assignment – Norman Bates

I like films, and I like photography. During one of my classes, I saw a still that I recognized from Hitchcock’s Psycho. It occurred to me that it would be a relatively simple photo to reproduce with a single light, so I gave myself an assignment to go and actually do it.

Here is the original I was working from:

Eye11

I can’t say that I’m 100% happy with it, but the only way I was going to reach absolute satisfaction is if I was actually Norman Bates, and that’s not good for business.

So I hung a black sheet behind because the walls are white, and light is sure to bounce around. In addition, the back of the board was painted white, so bounce was inevitable. Norman is hiding in a dark room, so light spill is a no no. Held the piece of wood with a hole in it on a music stand from the by-gone-era (see t-bone in back). Fired a Canon 430EX II into a Lumiquest SBIII to give more of a wrap around light source (the light is supposed to be coming from another room, so just a single little strobe head might not give that effect. when placed this close, the light source appears big. Focused as close as possible, then cropped it way down.

triggered with remote switch.

Strobe: 1/64, 24mm, triggered by Cybersync

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Happy Feeling about 24-105L

(This photo was very sharp before iweb put it’s grubby hands on it, and now it’s back to being sharp with wordpress)

So as I mentioned last time, I picked up a canon EF 24-105mm F/4 L IS USM lens for my photo jobs with TIFF this year. My specific role was to be at the dinner and receptions, and as you might expect, this is in rather low light environments. You want the photos to be sharp, but you don’t want extremely shallow DOF, especially for candid group shots.

It really came down to this lens or the EF 24-70mm F/2.8 L USM, without IS. I must say that especially for these sorts of jobs, I’ve been making full use of the 24-105mm range, and I don’t know if I would have been as happy with only having 24-70mm. And while the 24-70 gives you an additional stop aperture wise, the 24-105 gives you up to three stops of shutter speed stabilization. For most of the evenings I could shoot at 1/30s @ f/5.6 for razor sharp shots, and as low as 1/8th handheld, no flash for acceptable sharpness. I won’t get into a real in depth review, because this lens has been out for a really long time, and there are numerous far better sources already. Needless to say, this is quickly becoming my favorite lens.

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Photog @ TIFF 2009!

With the help of a friend of mine, I was able to score a photo gig taking pictures at the dinners and after parties during the Toronto International Film Festival. Though I won’t be able to share any of the shots – since the rights will belong to TIFF – I thought I would at least share what gear I’ll be using.

Most of the events will be indoor, and in low light situations, so I’ll be mainly shooting with my 40D, and new 24-105 F/4 L IS as an all around lens, with shoe mounted 580EX II. (not likely to be able to do much off camera stuff. Bounce bounce bounce!). I’ll bring along a fast prime (50mm f/1.4) as well, just in case. Double battery pack in the grip, and some extra batteries for the flash, along with a few flash gels to colour match the lighting.

I’m pretty excited, and a little nervous, but I know it’s going to be good fun, and some great experience.

(Shot above: Taken with Canon XTi, and old 28-105mm. 1/200s, f/5.6, ISO 400. Strobist: Canon 430EX II high camera right into umbrella @ 1/4 power)

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Toronto International Airshow 2009

(Above: F-22 “Raptor”)

Finally got out to the airshow, and I have the sunburn (plus glasses marks on my face) to prove it. I shot these in Shutter Priority mode to keep them sharp, with a shutter speed of around 1/1000 at ISO 100. The aperture varied between f/4.5 and f/10. I set exposure compensation +1 AV to make up for the bright sky, used motor drive and AI servo mode to keep a lock on the moving subject.

*Blue Angels’ C-130 “Hercules” (aka “Fat Albert”)

Fat Albert

*CF-18 “Hornet”, F-86 Sabre, and CT-114 Tutor

Trio

*Blue Angels’ F/A-18 “Hornets”

Blue Angels

Blue Angels

Blue Angels

Blue Angels

Blue Angels

Blue Angels

*F-22 “Raptor”

F-22

F-22

P-51 “Mustang”, F-22 “Raptor”, F-16 “Fighting Falcon”

Trio 2

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